'This is not for you' is the dedication in Mark Z. Danielewski's House of Leaves and reveals that House of Leaves is not intended for the reader, whoever he or she may be. This is because House of Leaves introduces the idea that nihilism exists beneath all forms of discourse, whether linguistic (the literary) or visual (the architectural). The problem of nihilism is implicit in most postmodern or poststructuralist fiction, but House of Leaves suggests a much more radical approach in which nihilism is something that can never come into Being. More properly, this means that rather than nihilism having a construction, it is that which exists before construction or is that upon which a construction is built. Through the figure of the house, Dan...
The thesis presents an argument that through employing metafictional techniques, experimentation wit...
Mark Z. Danielewski's House of Leaves and Audrey Niffenegger's two visual novels The Three Incestuou...
Are house and architecture the same? Adolf Loos states two possible architectures: one with a practi...
'This is not for you' is the dedication in Mark Z. Danielewski's House of Leaves and reveals that Ho...
In his debut novel, House of Leaves (2000, Mark Danielewski created a unique work of art, incorporat...
...is a novel that combines literature and art to create a unique postmodern object. It was publishe...
Mark Z. Danielewski's House of Leaves has succeeded in placing itself between the two traditionally ...
Mark Z. Danielewski’s avant-garde novel House of Leaves occupies a liminal space in the world of the...
This paper’s aim is to present Mark Danielewski’s highly acclaimed first novel, House of Leaves, by ...
In Mark Danielewski’s experimental novel House of Leaves (2000), space is a crucial concern. Yet, as...
In this article, I examine the ways in which the figures of the labyrinth and the lacuna organize Ma...
Ever since I learned how to read, I assumed that books must be read a certain way: open to the first...
The tri-centennial anniversary of Burke\u27s birth is little more than a decade away, yet somehow th...
El relato de casas encantadas aparece de forma recurrente en las narrativas fantástica y de terror. ...
This paper examines the spatial model of a house as a labyrinth in Mark Z. Danielewski’s experimenta...
The thesis presents an argument that through employing metafictional techniques, experimentation wit...
Mark Z. Danielewski's House of Leaves and Audrey Niffenegger's two visual novels The Three Incestuou...
Are house and architecture the same? Adolf Loos states two possible architectures: one with a practi...
'This is not for you' is the dedication in Mark Z. Danielewski's House of Leaves and reveals that Ho...
In his debut novel, House of Leaves (2000, Mark Danielewski created a unique work of art, incorporat...
...is a novel that combines literature and art to create a unique postmodern object. It was publishe...
Mark Z. Danielewski's House of Leaves has succeeded in placing itself between the two traditionally ...
Mark Z. Danielewski’s avant-garde novel House of Leaves occupies a liminal space in the world of the...
This paper’s aim is to present Mark Danielewski’s highly acclaimed first novel, House of Leaves, by ...
In Mark Danielewski’s experimental novel House of Leaves (2000), space is a crucial concern. Yet, as...
In this article, I examine the ways in which the figures of the labyrinth and the lacuna organize Ma...
Ever since I learned how to read, I assumed that books must be read a certain way: open to the first...
The tri-centennial anniversary of Burke\u27s birth is little more than a decade away, yet somehow th...
El relato de casas encantadas aparece de forma recurrente en las narrativas fantástica y de terror. ...
This paper examines the spatial model of a house as a labyrinth in Mark Z. Danielewski’s experimenta...
The thesis presents an argument that through employing metafictional techniques, experimentation wit...
Mark Z. Danielewski's House of Leaves and Audrey Niffenegger's two visual novels The Three Incestuou...
Are house and architecture the same? Adolf Loos states two possible architectures: one with a practi...